ORIGINAL OLD MASTERS / 18TH / EARLY 19TH CENT.ART FOR SALE

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Keith Crown

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Rio Grande Gorge near Taos - 22.37x29.62 in., 1996

Keith Crown Estate Works

Eugene (E.V. Biel) Biel

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Human Condition - o/c 48 x 60 inches, c. 1960

BENTON GALLERY

Millard Sheets

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Mount Hood - Near Portland - Back-Country Skiing, 1955

Central Flordia Fine Art LLC

Rolph Scarlett

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Biomorphic Broach silver/gold, c. 1940

BENTON GALLERY

Dong Kingman

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Soldiers & Sailors Arch - Brooklyn, New York - 22x30 in., c. 1959

Central Flordia Fine Art LLC

Rolph Scarlett

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Guggenheim Period Abstraction - 5.5 x 5,5 in., c. 1942

BENTON GALLERY

Rolph Scarlett

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Cash In Hand - o/p, 60 x 45 in., c. 1954

BENTON GALLERY

Keith Crown

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Fall in New Mexico - Bright Sun - 30x22 in., 1996

Keith Crown Estate Works

Old Masters / 18th / Early 19th Cent.

The category covers art created by artists working in Europe from the 14th through early 19th century (old masters) as well as early American Colonial art, limner art, itinerant art and pre-Hudson River School art. 

 

The term "Old Master" is generally applied to any fully trained European artist working from the 14th through early 19th century. Conversely, early American colonial art was often practiced by itinerant artists (or limners) of varying skill who regularly doubled as traveling portraitists / sign painters. The highest skilled artisans working in colonial America were usually European expats working in and around the urban centers like Boston, Philadelphia and New York. Though some self-taught artists in colonial America met with success, many of the more successful early American artists were either deeply influenced by or received instruction from their European counterparts. Later, the establishment of academic art institutions like the Pennsylvania Academy of Fine Art in Philadelphia (founded 1805) and the National Academy of Design in New York (founded 1825) afforded a growing number of American-born artists, freer access to superior art instruction that was for the most part previously unavailable. It wasn’t long after this time that Americas first internationally recognized school of painting, the Hudson River School, began in earnest.

 

Notable proponents include Leonardo Da Vinci, Michelangelo, Donatello, Raphael, El Greco, Thomas Gainsborough, Harmensz Van Rijn Rembrandt, Joshua Reynolds, Peter Paul Rubens, Giambattista Tiepolo, Sir Joshua Reynolds, Hans Holbein, Caravaggio, Pieter Bruegel the Elder, Goya, Johannas Vermeer, John Singleton Copley, Benjamin West, John Trumbull, Charles Wilson Peale, James Peale, John White, John Symbert, Peter Pelham, Washington Allston, Ralph Earl, James Earl, Samuel Morse, Rembrandt Peale, Ammi Phillips, Gilbert Stuart, John Trumbull, Mather Brown, Edward Savage, Thomas Sully, Joseph Badger, John Brewster Jr., and William Jennys, Gustavus Hesselius, Charles Bridges, John Smibert and Robert Feke. 

 

Movements and Genres include Old Masters, American Colonial art, limner art, itinerant art, Early American Folk art and Self-taught art.

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